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1:14 How to read diagram
2:35 Major Chords on low E string
6:59 Major Chords on A string
9:19 Major Chords on D string
10:50 Minor Chords root on the low E
14:00 Minor Chords root on the A string
16:18 Minor Chords root on the D string
17:31 Dominant chords
To be continued… in the book +++ Diminished and semi diminished … 🙂
Your xmit bar should be moving up and down in Ninjam all the time when you play. If it doesn’t it means you are not transmitting sound. Sometimes Reaper will auto-mute tracks that are too loud.
London based Gypsy jazz podcast. Different guest gypsy jazz musicians every week are brought together to jam, drink some beer, eat some pizza and talk about all things Django!
A lot of new guitarists in the Gypsy Jazz genre have the same dilemma:
Should I learn the Rest-Stroke picking method (The Gypsy traditional picking technique) or not?
There are two main aspects to playing music:
– How to play– right hand technique
– What to play – Your notes and chords
You decide whether you want to take the “what to play” and improve your improvisation, knowledge and skills from Django’s beautiful music, or add the “How to play” and get that special sound as well.
I LOVE this technique – the sound it produces and the feel of the strings under my pick. But what if you already have a good technique of your own? Is it really worth the trouble to learn the unfamiliar Gypsy Jazz technique? Or maybe it’s enough to learn the special phrases, licks and Django’s ideas for improvisation and add them to your playing without the specific technique?
The answer is that it’s entirely up to you.
There are a lot of benefits to Rest Stroke Picking:
- Sound – you’ll get the best sound from your acoustic guitar (not your electric guitar).
- Presence – You’ll sound sharp and the dynamics in your playing will stand out.
- Health – this method fits the natural position of your hand. So, you will probably have less pain when using it.
- Speed – well, you’ve heard the Gypsies – you can play pretty fast with it….
- Once ready to start the tune, all participants turn on Xmit on the Ninjam channel, and turn off Xmit on the Voice Chat channel.
- The rhythm starter will give a two bar count-in on the last two bars of the chorus (bars 31 and 32 for a 32 bar pattern, bars 15 and 16 for a 16 bar pattern).
- The head player will play the head, followed by the agreed upon form. Or the current lead player could call out “Go ” a couple of bars before they complete their lead. Remember that they will hear that one whole chorus later so the current lead won’t hear the next lead start until two choruses later.
- Just before the head starts, the head player may announce “Back to the head”. After the head has been played, everyone stop playing. There may be up to two choruses of rhythm choruses heard by some participants.
- Switch back to Voice Chat mode and turn off Ninjam mode after the tune is over in order to converse.
To work well Jamkzam needs all participants in a jam to use a wired internet connection and low latency audio drivers.