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I run a Gypsy jazz guitar online course called “Gypsy Jazz Guitar Makeover Coaching”.
The course is based on live online lessons suitable for all levels where we go through a different category of Gypsy jazz guitar each week.
It’s 8 different categories in total (right hand technique, rhythm, chords, scales & arpeggios, licks, jazz standards, transcribe solos, music theory).
After the 8 weeks, we rotate through the same categories again but of course with different lessons, to make sure all areas of guitar playing stay in balance.
There are several weekly slots available to meet the schedule of each student and all students receive a replay of each week’s session in their inbox every Sunday.
It all comes with PDFs, learning material and actions to complete every week.
People can join a free 2 weeks trial of the course here: https://www.filippodallasta.com/group-coaching-sign-up-2
International Gypsy Jazz Guitarist
Every Tuesday I have two gypsy jazz Zoom classes.
They are one hour each:
Intro to gypsy jazz (6:30-7:30pm)
Gypsy jazz Boot Camp/Workshop (8-9pm)
All Pacific Time(PST)
Please Note: You can do a $30 drop-in rate per session.
Please contact Tracy via email:
firstname.lastname@example.org if you would like to “drop-in”.
The next round (6 classes) will begin November 3rd.
Daisy Castro, Max O’Rourke, Quinn Bachand, & Brian Netzley play a track from Daisy’s album.
Denis Chang on buying a gypsy jazz guitar
- The problem for most people around the world is lack of access to high quality instruments, and lack of exposure to the wide variety of playing styles that exist within the genre. The latter is very important, because the style can be approached in so many different ways, and in which case, one particular sound or setup might be preferable than another. There are various styles of Gypsy Jazz guitars and setups available for the contemporary player.
However, I should say that traditionally, these guitars were meant to be played unamplified. If there was any need for amplification, it was a minimal setup. Unfortunately, I feel that this is a bit of lost art. Most modern players come from a background where extensive use of technology is the norm. This basically means that a tremendous amount of tone is coming from technology. In Gypsy Jazz, tone traditionally came from the hands and fingers. In order to get the best possible tone, guitarists played a certain way, and in order for the guitar to resonate in the best possible way, it had to be set up a certain way. This usually meant a bit of a higher action than what most contemporary guitar players are used to. Remember the term “high action” is relative. For most acoustic Gypsy Jazz players, low is considered high to people coming from other styles.
Nous’che Rosenberg showing how all his relatives used to make picks if they did not have one, using pvc pipe